Murat Seyok
Published on Issue n.2/2020 presented at the Menton Show
Murat Seyok
Portrait of a Turkish Horse Shoes Artist
Interviewed: Sonya Smalcone
From an early age Murat Seyok was obsessed with horses. His father used to take him to local horse race associations since he was only a kid and, in the future, they would also have their own ranch with their four mares. Seyok has also a degree in Industrial Engineering, and he is a naturally gifted craftsman. Besides running a small restaurant inside the ranch, he makes and creates handcrafted horse shoes decorations with ‘gusto’. I
am glad to introduce him to our community in more details.
My name is Murat Seyok.
I am from the Republic of Adygea in Russia. My grandfathers
moved to Turkey far back in 1870. I am an Industrial engineer, but horses are all my life.
When I was child, my father used to take me with him to small local horse race associations. We now have 4 tho- roughbred mares.
Eighteen years ago, we opened a ranch in Düzce city. We also opened a small restaurant inside the ranch whe- re people can prepare breakfast or dinner. They can ride our horses too.
Ten years ago, I started to make horseshoe crafts. I use recycled horseshoes. That is unique gifts for horse lover. Step by step, I have developed my own personal style. I make carton boxes, wood boxes etc., but I also like handcrafts.
I like simple and easy items. I can transform a recycled horseshoe into a niece piece of art décor. Why do I use horseshoes? Be- cause horseshoe is considered a good
luck charm or a symbol of luck by many cultures.
But the story behind why people hang horseshoes above their doors goes back to ancient ti-
mes in 959 A.D. And as you already know, it all has to do with luck.
The famous story of Dunstan and the hor- seshoe varies gre-
atly depending on where you look. But the gist
of the story is that in the 10th century, St. Dunstan (a black- smith at the time) was visited by the devil him- self. The hoofed devil asked for a horseshoe for himself. So then, Dunstan nailed a red hot horseshoe tightly on one of his hooves, and the devil howled in pain. The devil begged for Dunstan to remove it. Dunstan agreed under one condition -- the devil must respect the horseshoe and never enter any place where one was hung above the door.
Because of this, people believed that the hor- seshoe could keep evil spirits out of their ho- mes, and thus bring in (or keep in) good for- tune.
Good luck is also attributed to horseshoes because being a blacksmith was considered a lucky trade. Additionally, iron was deemed magical because it could withstand fire. On most horseshoes (and maybe even on horse- shoe jewelry) have seven nails in them. Seven has always been referred to as a lucky num- ber.
The tradition carried on, and people added onto to the legend of the horseshoe. In the middle ages, fear of witches ran rampant. It was said that witches were afraid of horses and their iron shoes. People thought that wi- tches would never pass through a doorway with one hung above it, and people even nailed horseshoes to witch’s coffins to keep them from coming out.
Today, you will still see people with them hung over doors, both inside and out, all around the world. Hanging a horseshoe facing upwards in a “U” shape is said to keep evil out and bring good luck into your home. Conversely, hanging it upside down will have luck flowing out of your home.
Whether you believe the legend or not, this little handmade and unique gift boutique li- mited edition gift that you are holding in our hands will bring you luck, inspiration and new opportunities.
Murat Seyok
Portrait of a Turkish Horse Shoes Artist
Interviewed: Sonya Smalcone
From an early age Murat Seyok was obsessed with horses. His father used to take him to local horse race associations since he was only a kid and, in the future, they would also have their own ranch with their four mares. Seyok has also a degree in Industrial Engineering, and he is a naturally gifted craftsman. Besides running a small restaurant inside the ranch, he makes and creates handcrafted horse shoes decorations with ‘gusto’. I
am glad to introduce him to our community in more details.
My name is Murat Seyok.
I am from the Republic of Adygea in Russia. My grandfathers
moved to Turkey far back in 1870. I am an Industrial engineer, but horses are all my life.
When I was child, my father used to take me with him to small local horse race associations. We now have 4 tho- roughbred mares.
Eighteen years ago, we opened a ranch in Düzce city. We also opened a small restaurant inside the ranch whe- re people can prepare breakfast or dinner. They can ride our horses too.
Ten years ago, I started to make horseshoe crafts. I use recycled horseshoes. That is unique gifts for horse lover. Step by step, I have developed my own personal style. I make carton boxes, wood boxes etc., but I also like handcrafts.
I like simple and easy items. I can transform a recycled horseshoe into a niece piece of art décor. Why do I use horseshoes? Be- cause horseshoe is considered a good
luck charm or a symbol of luck by many cultures.
But the story behind why people hang horseshoes above their doors goes back to ancient ti-
mes in 959 A.D. And as you already know, it all has to do with luck.
The famous story of Dunstan and the hor- seshoe varies gre-
atly depending on where you look. But the gist
of the story is that in the 10th century, St. Dunstan (a black- smith at the time) was visited by the devil him- self. The hoofed devil asked for a horseshoe for himself. So then, Dunstan nailed a red hot horseshoe tightly on one of his hooves, and the devil howled in pain. The devil begged for Dunstan to remove it. Dunstan agreed under one condition -- the devil must respect the horseshoe and never enter any place where one was hung above the door.
Because of this, people believed that the hor- seshoe could keep evil spirits out of their ho- mes, and thus bring in (or keep in) good for- tune.
Good luck is also attributed to horseshoes because being a blacksmith was considered a lucky trade. Additionally, iron was deemed magical because it could withstand fire. On most horseshoes (and maybe even on horse- shoe jewelry) have seven nails in them. Seven has always been referred to as a lucky num- ber.
The tradition carried on, and people added onto to the legend of the horseshoe. In the middle ages, fear of witches ran rampant. It was said that witches were afraid of horses and their iron shoes. People thought that wi- tches would never pass through a doorway with one hung above it, and people even nailed horseshoes to witch’s coffins to keep them from coming out.
Today, you will still see people with them hung over doors, both inside and out, all around the world. Hanging a horseshoe facing upwards in a “U” shape is said to keep evil out and bring good luck into your home. Conversely, hanging it upside down will have luck flowing out of your home.
Whether you believe the legend or not, this little handmade and unique gift boutique li- mited edition gift that you are holding in our hands will bring you luck, inspiration and new opportunities.
Tbourida
A Traditional Equestrian Art
Text by: William Richardot de Choisey
Traslation by: Sonya Smalcone
Pictures by: Ben Malek, Boiselle, Spodex, Thala, Courtesy of private collections
Besides the great variety of the territory and climate of the diffe- rent regions of Maghreb, including all the countries of North Africa, the name ‘Tbourida’ comes from the Arabian dialect word ‘baroud’, which in the Berber language translates ‘tafrawt’, it is a popular tra- ditional art resulting from very old ‘Berber’ traditions following the appearance of the horse whose history recalls the great rides across the Numidian country, the former Berber Kingdom located on both Algeria and Tunisia, including Libya and Morocco - namely, the founding countries of the great Berber people of today whose most iconic personality is later King Masinissa (230 b.C. 148 b.C.). Initial forms of gathering take place mostly in rural areas during the 17th century, followed by equestrian developments with riders wearing fine ‘caftans & burnous’, a shoulder belt with an ancient dagger in-
side, a large colored shawl and well-wrapped turbans around their heads with the colors of their own region. If the warrior spirit has disappeared, the tradition has not as of yet; it continues to live on throughout the holiday - at a time when each village of the coun- tryside puts in place its own ‘sorba’. During the Tbourida, riders are committed to a superior army ethic, their pride is showing off their ancestral ability with their rifles and silver chiseled powder flask, they want to prove their dexterity at full gallop amidst a thousand explosions of colors, whilst the horses are adorned with superb har- nesses, at the same time, they come to represent the pride of their own region by performing a quasi military parade, which stems from ancestral ‘arab-amazighs’ rituals.
The tradition of the Tbourida is most alive in the center of the Kin- gdom as well as in the south where the riders who are performing in local ‘sorbas’ are often all dressed in the blue gandouras, particularly the riders from the Guelmin region, also known as ‘the door of the desert’. While handling their rifles with skill, they do not shoot up in the air but down on the soil, as determined by an old practice that comes with an ancient warriors’ belief that ‘the enemy can hide under the sand and not in the mountains’.
Beyond the various folkloristic elements, the Tbourida remains today an important part of Moroccan cultural heritage, in most provinces it is a real vector of ‘social actions’ that rein- force the major cultural identities of the Kin- gdom by celebrating religious festivals, civil celebrations, weddings, etc. It is the story of a timeless encounter between man and horse, mainly the Berber horse or Arab-Berber horse, a specific breed of North Africa. Both Berber and Arab-Berber horses are actors of vital im- portance for the country’s ecosystems, whether used during many practical or leisure activities, the Tbourida or even sports activities, they are key players to maintain secular traditions.
Two breeds that remain anchored deep in the hearts of all Moroccans, mainly breeders who-
se passion remains sacred, it has been handed down from generation to generation as a proof of an old-age impressive practice that has tran- sformed into a sports discipline over the centu- ries with its own specific codes and regulations for ‘hadda’ and ‘tbourida’ – both are placed un- der the supervision of the Moroccan Equestrian Federation with the support of S.O.R.E.C.
For a long time, such a discipline has been stri- ctly reserved for men who take part in war-ga- me exercises to surprise the enemy, since 2005 – notwithstanding a deep-rooted machismo of the male population of the time, which seems to be completely unaware of legendary ‘warrior amazons’ like the Queens Kahina and Zeina, the ‘womanization’ of the discipline has taken place with the beginning of the ‘moussems’ thanks to the late Royal Highness – Princess Lalla Amina, the then President of the Royal Moroccan Equestrian Federation, who mana ges to give shape to the dreams of many bre- eders; in current gatherings these ‘women’s sorbas’ are very active.
The most important Moussem Festivals also known as ‘waada’ are essentially devoted to the cultural tradition of this practice, there- fore, it is worth mentioning the ‘ Tan-Tan Moussem, which is now part of Unesco World Intangible Heritage Site, it brings together the amazing nomadic tribes of the Sahara along with their ancestral traditions and customs every year, a program rich in diversity and attractions with musical en- tertainment, Berber dances and songs, pre- sentations about medicinal plants etc. Equally important for its intense activity, the ‘ Moulay Abdellah Amghar Moussem’ is a legendary gathering that has been cele- brated for hundreds years in the Kingdom, straight after the harvest period when all the ‘sorbas’ want to take part.
The last edition registered no less than a hundred troops with nearly two thousand five hundred horses, being it considered as a sanctuary, the stronghold of the largest tri- be of Morocco, its members, ‘Doukhala, are ancient warriors who are said to have un- paralleled breeding skills as regards Berber horses, and live in the surroundings of El Jadida also called ‘the city of tents’.
A magical rendezvous, not to be missed in El Jadida that is not only the capital of the horse in Morocco, but also an important agricultural region with its famous venue for the ‘exchange of seeds’, an event that la- sts seven days with more than six hundred thousand visitors, including a large number of foreigners and journalists from around the world who come here to attend this colossal event, falconry is also on display during this extraordinary and memorable festival.In such a land where equine production has gone on for hundreds years, the Sovereign has made El Jadida the equestrian capital that it is today by commanding the creation of the Salon du Cheval held in October every year, it is worthwhile visiting the Regional Stud of El Jadida as it has been entirely rebuilt into a modern facility housing nearly four hundred breeders’ purebred Arabian horses both for ra- ces and competitions; not to mention the Pyramid Society Morocco Association that every year organizes a very beautiful competition for its sixty members with Straight Egyptian horses, the most impor-
tant reproducers for the preservation and continuity of these precious bloodlines.
Nowadays, the Tbourida is recognized as a sport discipline in its own right, the Equestrian Federation of the country has set up an intense program of two regional competition zones with classes open to Junior and Senior riders, winners have access to a pre-selection at Inter-regional levels for the Hassan II Trophy in Dars Es Salam, which precedes the Mohammed VI Grand Prix, one of the main highlights of the Salon du Cheval d’El Jadida, - an equestrian event that stays etched in mind forever and that owes its success to Dr. Med. Vet. Ali Younès Abbassy and all his Team.
All the most important Schools of Tbourida in Morocco take part into it: the Nassiriyah School, the Charkoulyah School, the Khiyatiyah School and the Hayaniyah Schools, many of them have inherited a fascinating secular art and are held responsible for its continuity. In peace time, the Tbourida is a highly professional sports activity with its own codes and principles that allow all generations to go backwards in
time in the most remote provinces of the Kingdom, participant ri- ders also get significant prize money at these events. As a main an expression of secular cultural and historical traditions of the peoples of Morocco, the Tbourida is now going through much international debate for an application and subscription to UNESCO Intangible Heritage. In view of the 13th Salon du Cheval d’El Jadida, we hope there will not be any problems there as it has been for many orga- nizers in Europe, as well in Paris-Nord Villepinte-France that will change Operator in 2020.
The Child and the Youngster
Part 1
Text by: Guillaume de Clery
Traslation by: Sonya Smalcone
Pictures Collection - Thala Photograph Spodex - Ben Malek - Psv J. Morel
Men have reached great heights with passionate hearts over the centuries, one of these was certainly this proud steed and flaming horse who led the pe- oples of the ancient world to many war victories, but even today the horse - of any breed - continues to cause much joy to those who ride him, sometimes bringing glory to riders who practice leisure or equestrian sports at any age. It is a fact that great part of a family’s future well-being can be guessed from their children’s games, as a fully appreciated companion of life, the horse can be easily found near human beings from an early age, creating a relation of complicity that can last until adolescence.
Children with a gentle soul are most likely to fall under the spell of a dream and thinking animal that conveys them genuine fee- lings and vitality, a combination that accompanies the most si- gnificant experiences of their life and leads forwards and towards true sharing, something that cannot be explained by words be-
cause the purest love is that of a child or a youngster for his own animal.
In recent decades, mainly as a result of the Internet, the Vir- tual World has become a gigantic business, particularly, by guaranteeing the fast-delivering of a wide variety of digital games to the tablet in the hands of an ever-increasing num-
ber of young people most of whom get literally addicted to it and cannot help without, even though it is expensive, parents will agree to buy it as a matter of fact. It may look like the kind of emotional connection that once kept everyone together in- side the family does no longer exist in a digital age, but a few exceptions to this mass pheno- menon are worth mentioning. As we all know, the Arabian horse industry is today rapidly evolving into something new to cope with the ongoing interna- tional crisis, however, when vi- siting the largest stud-farms as well as many traditional small private farms that are resisting to paper money, it is not sur- prising that children of all age can still be seen in company of their beloved horses, a shelter for the kindest souls right there in the middle of green pastures
or stables.
Mainly during International Arabian Horse Competitions outside Europe, many Organi- zers have come to realize that it is about time to plan and organize a certain number of presentations and competi- tions exclusively reserved for children and the young, if you ever attend one of these events in the United
States of Ame-
rica or even
in South
Africa, you will be just amazed by the exceeding skills of these youn- gsters in riding their Arabian horses who, from their part, are warm-blooded animals with an indomitable personality, your amazement will be so overwhel- ming to leave you breathless. Far from any deceptive influen- ce, these well-structured com-
petitions are very much alike the hunter classes, where one judges the abi- lity of
the rider and the elegance of his movements while managing a very well-groomed horse. Everything that concerns the performance is thoroughly as- sessed during these gatherings and young people show to be even more ‘pro’ than adults as each presentation takes place in a quiet atmosphere, and with lots of respect for the breed. Dressage is another equestrian discipline that compels the ri- der to various exercises where technique blends with beauty, it is an ancestral classic practice contrary to what people may think, and it has been successful among many youngsters who are now forming several national teams.
Always bearing in mind that children and young- sters are the future, but also looking
at their genuine and pure interest in horses of all breeds and for any pur- pose, it is important to throw light onto the relevant experience gained by a particularly gifted young horse amateur who shows to have that spe- cial attitude and sensitivity to equines we mentioned earlier.
He started out his path at age three
riding ponies, then he has continued
riding during the good and the bad ti-
mes, never giving up. At the dawn of
his fifteen years, his passion for horses
remains intact and his school resul-
ts are exceptionally good, this young
boy would be just perfect for a future
career around his favorite animals.
Besides living in a region conducive to equine bre- eding, 15-year-old Anton Aulas-Lanfrey continues his path as a researcher; to date, he can easily as- sess the most important qualities of a horse, he can quickly spot major faults about conformation and judge horse’s movements in free motion just like an experienced zoo-technician.
The young Anton Aulas-Lanfrey started to go on
one of high quality and very useful for the industry. He is well aware that ‘means’ are essential for everyone in this circuit, both at an amateur and professional level of competition, the work has be-
horseback long ago, partly on the advice and under the guidance of a highly qualified horseman like Frank Chabert, as he strives for perfection, he mi- ght very well present outstanding Arabian horses at prestigious competitions one day.
He is quite ready for this exercise despite his young age, with him and many more youngsters of his ca- liber, the next handlers’generation will certainly be
come harder than it once was, and he is concerned about current realities of the breeding industry. Consequently, if on one hand it is necessary to objectively evaluate his evident qualities, on the other hand, one can only wish that young Anton will not only lose sight of his main objective in the years to come- but even more, his amazing insi- ghts into horsemanship will lead him to do what he
was born for far from today’s trends, and to keep his motivation strong sin- ce all who know him are stunned to discover his incredible self-control.
It is no longer surprising to see many young people participating in endu- rance competitions these days, it is a demanding discipline that requires a thorough preparation and compul- sory course attendance; it is an art of its own that fulfils its reason to be and its full value to the ultimate horizon symbolized by the finish line.
In conclusion - and in spite of the eco- nomic crisis of world contemporary society - the Arabian horse continues to arouse the most genuine emotions
of both children and youngsters for whom it is re- cognized and thought of as the best friend in
life and an inseparable playmate, then,
if this special friendship continues
to grow as their age progresses, it will only bring them mo- ments of deep emotion and
joy.